What Writers Talk About with Other Writers
(when nobody who might buy their books is around)
October 26, 2017
If you witness fiction writers interacting with one another on a panel or at a reading or in a bar, you might think the writing life is all fun and games and drinking booze. But ask the fly on the wall what these authors talk about when you and other potential fans aren’t around, and you’ll quickly learn that the writing life is mostly pain and frustration and futility. And drinking booze.
Now, I could continue this post with a list of funny hyperbolic examples of what fiction writers chat about when nobody who might buy their books is listening in, but it’s hard to be funny and hyperbolic when everything is so painful and frustrating and futile. And blurry. So instead, I’m going to share actual excerpts from an ongoing email exchange I’ve been having with a fellow novelist I met a while back. After all, it's always better to show than tell. Plus copying and pasting text from Gmail is a lot easier than coming up with brand new content.
NOTE: I’ve removed/replaced certain words or phrases that could possibly reveal the aforementioned novelist's identity. And no, it’s NOT Chuck Palahniuk. While I had the honor of meeting and “workshopping” with Chuck recently, he is one of those rare writers who’s immune to pain and frustration and futility, and thus is impossible to commiserate with.)
Without further ado, here are the email excerpts. (Warning: Some of the language could be considered offensive. I'm hoping that will keep you reading.)
[From an exchange in Fall 2016]
Me: This whole writing thing must be what being addicted to heroin is like. Short, incredible highs followed by misery and hopelessness—and the inability to stop going after the short, incredible highs. Realizing it's killing you yet needing to do it all the time. And Amazon is like an evil drug dealer that keeps sucking you back in. He knows all it takes is a small score here and there to own you for life. So, how’s YOUR Monday going?
Author friend: I hear you. My week has sucked infected goat balls so far. On top of [title of the new manuscript] hitting the skids, the film [based on the previous book] opened not to a bang but a whimper. I didn't expect a lot of fanfare, but I'm pissed that the distributor isn't doing any more than the producers could have done themselves, and for that they changed the title, came up with a shitty poster and tagline. They've asked for my input. I'm trying to gather my thoughts and wait until I can provide them with something more polite than, “How 'bout at least putting the trailer on Apple's movie trailer site, geniuses?!” Okay, enough bitching from me. How’s Sick to Death doing?
Me: I'm sorry about your infected goat balls week. That a writer with your resume still has to deal with such letdowns speaks to the absolute absurdity and fickleness of the publishing world and Hollywood. As for Sick to Death, it shot out of the gate with great sales and rave reviews for the first two weeks, then, just as I was out shopping for what I was fantasizing I'd wear to the National Book Awards ceremony, sales plateaued ... and then dipped precipitously. The good news is I have some promising promo stuff happening over the next few weeks. The bad news is I'm spending much more time tracking sales of the new book than I am writing the next book. And it’s a shame because I’m pretty sure the next book is the best damn thing I’ve ever written. Of course, the next book always is. Anyway, I’m not proud of letting external validation boss me around. I should know better.
[From an exchange a couple of weeks later]
Author friend: The writing is flowing, with some starts and stops. Whenever I get jammed up, I look at each situation and brainstorm the next possible series of events according to established character behavior and previous plot details. Then I look at that list of possibilities and ask, “Which of these is the worst possible thing that could happen to my protagonist?” And that's the one I go with. As soon as I do that (and it ain't easy... I really like this character and feel like a total asshole for putting her in such ever-frothier waters of shit creek), I seem to always have some lightning bolt of insight that sustains me until I'm standing at the edge of the next “What the fuck now?" cliff.
Me: I hear ya on causing so much pain and distress for your protagonist. Here’s something I said about my current main character during a recent interview: “I've been very busy putting my new protagonist through hell, and he's been very busy doing the same to me.”
[From an exchange about a month after that]
Me: News. Now Showtime wants to option The Exit Man. I’ve been assured the deal will be finalized right after Thanksgiving. Of course, I was also assured Hillary was going to trounce Trump, so I’ve learned to be weary of what I’ve been assured. [Name of another cable network] may counter with a "screw the option—let's go straight to series" offer], but I’ve been advised to stick with Showtime regardless due to the huge potential. So yeah, I'm feeling almost not worthless right now. This feeling will soon pass, I'm sure, and I’ll be back to feeling completely worthless.
Author friend: That’s fantastic news. Options are awesome. Still, it’s annoying when people ask, "So when's there gonna be a movie?" As though that legitimizes a book. Few people realize just what a godsend option money is for a working writer. In some ways, it's an appealing idea to never have the movie/TV show made, and just have that annual infusion of cash keep coming in perpetuity. James Ellroy called the film/TV options "cosmic welfare checks." Sadly, my old (and corrupt) publisher took a goodly chunk of my option money (I had no agent at the time), but still, I did really well on film options for a long time.
Me: “Cosmic welfare checks.” Nice. I'm going to steal that. Or at least cite Ellroy.
Author friend: I guess that makes us cosmic white trash. : ) By the way, I’ll be fasting from social media and email for the home stretch of the latest manuscript. Next weekend, I'm loading up the truck with firewood and whiskey and will be spending the bulk of December in the desert doing the rewrite. Yee-ha.
Me: Awesome to hear you've finished the first draft of your latest manuscript, which is probably better than the seventh draft of most writers' latest manuscript. Firewood and whiskey? Make that the title. If you don’t, do I have permission to use it on my tombstone?
[From an exchange a couple of months ago]
Author friend: Things aren't looking good for [title of the new manuscript]. The editor's had it since April, but I've not heard anything. I sent an email to my agent and got an auto-reply that he's out until the 15th, so I'm gonna have to deal with the knot in my stomach and just wait. Honestly? I'm on the verge of giving up. I'm wrestling with manuscript #5, but even if I finish it tomorrow, I don't see how it stands a snowman's chance in hell of publication if my previous one had no takers. Congrats on wrapping up your latest. And bigger congrats on having it hit the shelves soon. I'll shout it from the rooftops when that happens.
Me: Hearing that someone with your talent, credentials and fan following is thinking of giving up writing leads me to assume that aliens have invaded your brain. At least I’m hoping that’s the case. If not, it means the literary world is crumbling, falling into ruin … and that I might as well stop writing novels and find a more promising job like tollbooth attendant or coal miner. Hang in there. Things are going to turn back around for you in a big way soon. Usually such optimism makes me retch, but in your case I can feel it in my bones. Now, before I go, let me just remind you of something you may have forgotten. YOU WROTE [TITLE OF NOVEL THAT HAS SUSTAINED CULT-LIKE STATUS FOR OVER A DECADE AND HAS INSPIRED COUNTLESS WRITERS OF DARK FICTION, INCLUDING ME]. Now go find someone to extract those pesky aliens from your frontal lobe and get back to work. Sir.
NOTE: I’m thrilled to report that my almost legendary author friend has NOT given up writing, and that he continues to produce astonishing prose that continues to make him miserable. Thank goodness.
Here’s hoping he regains the literary fame and commercial success he so deserves, but that he never loses his passion for bitching and ranting with me from a thousand miles away in the middle of the night.
ON HIS BEST DAYS, ZERO SLADE IS THE WORST MAN YOU CAN IMAGINE. HE HAS TO BE. IT'S THE ONLY WAY TO SAVE THE LOST GIRLS.